13.6.11

Incident: 26 June 2010

It was almost 5:00 when she walked in. The doctor was in the back; __ had gone home. __ was waiting for me in the car. Nurse and Receptionist and I were going so clock out when the bell rang and a woman appeared in the doorway.

I did not particularly notice her at first, but there seemed to be a long interval between the moment she appeared in the doorway and the moment she stood at the counter. I didn't hear what she asked, but I heard Receptionist say, "No, this is not a free clinic."

"Well, what is it, then?"

"It's a doctor's office." Receptionist was using what I had always imagined as her welfare patient voice: very even and civil.

"Well, can I see the doctor?" She was hard to understand; she mumbled. She was young, with straight brown hair and strangely swollen eyes.

"Well, do you have any insurance?" Receptionist asked.

She didn't. She was leaning her elbows on the counter, her chin on the heel of her hand. "Can't you give me a pregnancy test?"

"This is not a free clinic," Receptionist said. Or maybe she said, "This is not a GYN."

"Oh, really," the woman mumbled sarcastically. Except it didn't seem to come out as sarcastic as she had meant it. Her eyes were closed. There was a silence. Receptionist asked helpfully, "What did you want to be seen for?"

The woman seemed to gather herself and leaned forward on the counter. Her eyes were open now. She still mumbled, but she seemed to be making a great effort toward coherency. "Look," she said, "I had an abortion a year ago. They messed it up or something. I haven't gotten my period since then. Except I bleed when . . . just once I bled . . . I went to the doctor and they did tests on me . . . "

It was hard to understand her. Or maybe it was just hard to hear her. I felt that I kept missing things. And as she talked, she kept falling asleep.

"It sounds like you would need to go to a GYN," Receptionist told her.

"But it's my back, too," the woman said. Now I began to feel sick. She was not whining; her voice was too hoarse and toneless. She did not seem to be trying to manipulate anyone; she was simply like a child who has not yet learned the proper way to ask for help. "I'm really sick; I sleep all the time and my back hurts; I could hardly walk across here . . . "

"If you're in that much pain, you should go to the ER," Receptionist said.

"I did - five times. They did some tests and it scared me really bad because when the nurse gave me back my results she had this funny look on her face . . . That's what they told my mom, before, when she got sick, so it scared me . . . "

Please, I thought, just don't cry. Maybe her voice had broken, or maybe she had just nodded off again. Or . . . There is fear.

Receptionist asked if they hadn't given her any pain relief medicine at the ER.

She said no. "Can't you give me some pain pills?"

Receptionist said the doctor only prescribed pain pills to established patients. She moved over to let me sign out.

"Can't I see the doctor?"

"It would cost forty or fifty dollars just for him to see you."

I clocked out and left. I held the door for the woman. She was only a girl, really. When she turned from the counter, I was startled by how thin she was. She wore a white tank top and a long denim skirt with a slit up the front, and sandals. She moved very slowly, and not in a straight line. I did not watch her as she staggered across the waiting room. She passed me on her way out, close. She was not drunk, I thought, only sick.

I remembered the girl on the steps of the metro station in St. Petersburg. Leka and I had been little then, and we had been too shy to talk with her because we thought she was a boy. But she was a girl, and she was dying of AIDS . . .

Maybe she would be dead next week.

Outside she took a long drag from a cigarette that had been lying on the concrete windowsill. I hesitated, then smiled at her and crossed the sidewalk to the car. Through the front window I wanted her. She watched Nurse exit the building, then Receptionist. When Receptionist got into her car, the girl staggered off down the sidewalk.

What do we fear, that we passed her by? What was I afraid of, that I smiled at her and walked quickly on in a mist of tears, leaving her standing on the sidewalk, staring dully after me?

What if she had AIDS? What if she were pregnant? What if she had slumped over on the sidewalk and fallen asleep for the last time? What if she were not died then and there but later, half-consciousness dragging on and on to cost us time and money and effort? What if someone else would have helped her instead?

Am I afraid of contracting a contagious disease? Am I afraid of smelling a foul smell? Am I afraid of looking foolish? Perhaps more than any of these (perhaps involving them all, perhaps unrelated to any of them) I am afraid of my life changing dramatically and irrevocably, of life as I know it being suddenly over. The best thing that could happen to me, and I left her standing on the sidewalk.

We pray for Christ to reach out to the people we see, but we are His body. He is not magic, He is Christ, and we are His hands and feet.

I could compose a piece of music for her. I could write a happy ending for this story. But how can I ask You to help her when You would have used me? On Judgment Day maybe I will see her swollen eyes . . . or maybe she was an angel . . . or maybe she was You.


Social Assets

Walking our deaf-blind neighbor through the intersection to her favorite restaurant, guiding a handicapped child down the hall to her classroom, watching an old man beam and wave at the people leaving his beach, I see that the handicapped, the homeless, are good for our society.

I know now why Chesterton made a little fun of the American lady in Paris who "suffered from delusions; for she labored under the extraordinary notion that she had seen ignorant people giving a child Alcohol, and she was ridden with a sort of nightmare, to the effect that a beggar is a horrible thing."

You can shut them up as nightmares or you can keep them as mirrors. If the beggar is tragic, it is because of the Fall, but he is not especially tragic, and he is not terrible. We call him terrible as an excuse to put him away, but we only put him away so we don't have to face ourselves; for in this world we are all a little handicapped, we are all a little homeless. We herd them into asylums, into programs, out of our neighborhoods, just so we can delude ourselves about who we are.

When you are driving a big car to a party, dressed up, with your friends in the back seat dressed up too, and your favorite music playing loud, so that you have created your own world, it is good to have to stop at a traffic light and look at the blind man holding a cardboard sign ("Anything Helps God Bless"). It is good to have to face the immigrant woman approaching your window to sell you flowers.

It reminds you what the real world is like - maybe as opposed to the one you live in. It reminds you that in the real world, you are not God. It reminds you what it means to be human.


7.4.11

Translation: Sergey Chudakov: Untitled

When they shout,
"Man overboard!"
The ocean ship, huge as a house
Suddenly stops,
And the man
is fished out with ropes.
But when
the soul of a man is overboard,
When he is suffocating
from horror
and despair,
Then even his own house
Doesn't stop
but sails on.

Translation: Anna Ahmatova: All Is Taken

All is taken, both strength and love.
In the disgraced city, the discarded body
Is unglad of the sun. I feel my blood
Within me already altogether chilled.

I do not recognize the merry Muses;
They stare and utter not a word,
Only bow their darkly wreathed heads
Exhausted upon my breast.

And only conscience, daily more terribly
Rages, demanding vast tribute.
I used to hide my face and answer her . . .
But I have now no more tears, no more excuses.

How Brave Thou Art

The brave may not live forever, but the cautious never live at all.
That's what they told me.
I think I would like to live for a little while,
But I"m not brave when You're not here.
I would like to throw open my heart and love for as long as I could,
Never mind that it wouldn't be too long,
Never mind when it hurt me,
Never mind when it killed me,
But I'm too afraid when You're not with me.

So instead I lie on my side with one eye pressed into the dirt
And sleep sleep sleep like the regretful dead,
And when I get up it's to grab the nearest stick
And start smashing everything around me.

I am a killer.
I am a destroyer.
What I see, I hate.
What I touch, I break.
I broke my life, so stay away.
Run, run, run, dear child.
I'll break yours too if you let me near enough.

I don't really look for sticks when I get up; I use anything handy:
Catch up the nearest object and start swinging with my eyes shut,
Only hearing the splintering and shattering around my ears.

Some nights when I'm lying like this with my cheek to the ground
Quiet like a weaned child, so quietly screaming my brains out,
Knowing I can't live and knowing I won't die,
I like to imagine that You'll show up,
One unexpected night,
Break me,
Remake me,
Take me far away from all I've ever been.

It's a lot to imagine,
But I think You're braver than I am now.
I remember one night You were alone,
Hanging on a hill with Your wrists bleeding open
So I wouldn't have to be.
You were brave enough to be alone then.
So I like to think You're brave enough to face me now.

The Sushi Song


Sushi
What a colorful food
I could eat it all day
When I eat sushi
I smell the cherries on blossoming trees
When I eat sushi
I hear the old songs of musical reeds
When I eat sushi
I hear the call of mountainous lands
When I eat sushi
I feel the hot steam of black crystal sands
When I eat sushi
I feel the surf of deep turquoise seas
When I eat sushi
I see golden skies setting over my dreams
When I eat sushi
I can smell the snowy peaks
Where the cherries whisper pink
To the shadows of the wings
Of the swans that come to sing
Over the rainbow on the shore
That I've seen somewhere before
Think it's turning into four
Could I have a little more
Sushi
Cause when I eat sushi
What a colorful food
I can almost taste Japan

postscript:
i've never tried sushi.
i've never even wanted to go to japan . . .

2.4.11

Elegy (Not)

You categorize your supper
I pass you rolls, orange marmalade
You tell us the related jokes
I pass you canned fruit, gravy
(You remark we act as if you were old and feeble)

I never saw what a big man you are
I never saw how sweet your smile, how gray your hair
I never wondered with such sadness how many times more I have
When you leave, part of me will always be lonely
(And how can I come to this house without you here?)

I don't want to go play outside
I don't want to watch a movie
Let me sit and watch the lines of your face
Let me listen to your dry comments, your chuckle
(They come a little more slowly than before)

I was never so afraid to see anyone sleeping
I was never so glad to hear anyone coughing phlegm from lungs
I was never so relieved to see anyone hobble into the study
Take the old rocker and listen to the day's stock prices
(Wrapped in a bathrobe, blue and red plaid)

Dylan Thomas said it best but
I do not want to speak his elegy for you